Thursday, March 24, 2011

Cat on a Hot Tin Roof

Elizabeth Taylor’s death prompted me to watch “Cat On a Hot Tin Roof” via Netflix instant viewing. I was instantly endeared to this film as the brat children are described as “no neck monsters” unrestrained by their parents. The endearment continues with the pure, Southern gothic screenplay adaptation of Tennessee Williams’s Pulitzer-winning play, co-penned by Richard Brooks and James Poe.

This gang of no-necked, horrible children are the nieces and nephews of Maggie and Brick Pollitt - Elizabeth Taylor and Paul Newman, respectively. Brick is an alcoholic and it quickly becomes apparent that the couple have not made love in a long time. Maggie is not happy about this and says she feels like she’s a “cat on a hot tin roof," at times referring to herself as “Maggie the Cat.” The miscreants’ parents are Mae and Gooper Pollitt. The patriarch and matriarch of the family are “Big Daddy” and “Big Momma” Pollitt, with Burl Ives playing an uncharacteristically harsh, cruel (yet honest) role - that of Big Daddy Pollitt. The drama surrounds Big Daddy Pollitt's terminal illness and the resolving of his 28,000 acre, multi-million dollar estate.

The highlights of this film are the dialogue, the acting, the cinematography and the subtext. I’m not sure which order of greatness these fall in. The entire film is quotable. The themes of avarice and mendacity are brilliantly illustrated. The acting is 99% spot-on, and the color film and lighting is luminous and beautiful. There is a possible subtext of a gay relationship between Brick and a former friend who formed (at least) an emotional triangle with “Maggie the Cat.” The original play referenced homesexuality directly - Hollywood removed these direct references. Regardless, it’s an extremely brave play for the mid 1950’s and less-brave, but still courageous subsequent film for the mid to late 1950’s. Williams is said not to have been happy with the adaptation due to these omissions.

The actors, all of them, are to be praised for their gentile Southern accents - slight, very real and very well done.

I am thrilled with this movie. The blu-ray is not yet available, but the Netflix high-definition stream is - please avail yourself of this.

IMDB.com article
Wikipedia article

2 comments:

  1. Another classic I haven't seen yet. Thanks for pointing it out.

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  2. I registered for Amazon to notify me when a blu-ray is available. I'm still captivated by this film. In retrospect, it might be prudent to recognize that some of the acting might have been a little over-the-top, but this might be an example of one of the proverbs of William Blake's hell: "Prudence is a rich, ugly old maid courted by Incapacity." Over-the-top, perhaps, but also wonderful.

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